The Book of Revelation Class 2:
The Seven Seals (Rev 4:1 - 8:5)
March 23, 2003

 

Themes in this Section of Revelation

Importance of Numbers to the Book of Revelation

4:1-11

Vision of God’s Throne in Heaven

5:1-14

Vision of the Divine Scroll and the Lamb

6:1-17

The Opening of the Seals

7:1-17

The Fate of Those Sealed; The Great Multitude

8:1-8:5

The Seventh Seal

 


Numerology in the Book of Revelation

The use of numbers is significant in Revelation.  In this section we will encounter the symbolic use of several digits.  The principal numbers used in the book and their symbolism are:

ONE

This is the number of God (see Deut 6:4)

THREE

The trinity.  The triangle is the symbol of the triune God.  “Three” is prominent when redemption is involved because it takes Father, Son, and Holy Spirit to redeem.

FOUR

This is the number for the world.  The four world empires of Daniel are an example.  The four winds, the four seasons, four compass directions are other examples.  The four Gospels record Jesus’ life on earth.  In Revelation, the four living creatures relay judgments written under the seals to the four horsemen, who in turn transmit them into action on the earth.

SIX

This is Satan’s number, the number of evil.

SEVEN

This is the number of completeness, wholeness (See the Class Introduction).  The dragon in Revelation has 7 heads indicating his reign over the whole earth.  Seven shows the subject in its entirety (e.g., the 7 world empires [complete worldly power], the seven churches [the whole Church], the seven spirits [the Holy Spirit]).

TEN

This is an indefinite number, a round number, or a number that is going to change.

TWELVE

This is the number of the redeemed.  In the OT the redeemed were the 12 tribes; in the NT the redeemed are represented by the 12 apostles.  In the Holy City there are 12 gates, and the 12 foundation stones are names for the saints of the Old and New Testaments.

 

(Adapted from Arthur E. Bloomfield.  The key to Understanding Revelation:  An Easily Grasped Structure of a Complex Book.  (Bloomington, MN: Bethany House Publishers, 1959), 7-8.

 

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Vision of God’s Throne in Heaven (4:1-11)

John is transported to heaven and describes the heavenly court (this is similar to Ezekiel 1). 

Setting:    John describes going up to heaven at Jesus’ invitation (the trumpet-like voice) and seeing God’s throne there.  It is in a throne room apparently sitting on top of the firmament.  Remember that the cosmic structure of the Hebrew universe involved a separation of the blue-colored heavens from the earth by a dome.  The sky was blue because they imagined it to be water which was kept in place by the dome.  The “sea of glass like a crystal” is how this appeared to John from the top (heaven) side.

God (the “one”) sat on the throne.  God is life (the emerald green halo is the eternal symbol of life). 

Around God are 24 elders (12 apostles plus 12 patriarchs). 

Around the throne are 4 living, winged, multi-eyed creatures (lion, calf, human-like, eagle-like) giving praise to God.  These refer to the earth and all living things, indicating that the earth and all of life is subject to God.  The symbols for the four Gospels were derived from these depictions:

Text Box:     
       Mark        Matthew          Luke            John

 

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Vision of the Divine Scroll and the Lamb (5:1-14)

Chapter 5 has been termed the pivotal chapter, for it is here that the soteriological significance of Jesus is portrayed as the messiah.  Indeed, it is probably more accurate to say that the lamb is a messiah named Jesus rather than the other way around. 

Jesus, the Christ, is the lamb who will reveal the prophecy by opening the sealed scrolls.  The lamb emerges from the center of the throne being related to the throne, to God, to the elders, to the creatures.  This puts Jesus in the “middle.”  Jesus is the critical victim who turned the world upside down, shown now to have been in the right:

You are worthy to take the scroll
and to open its seals,
for you were slaughtered and by your blood you ransomed for God
saints from every tribe and language and people and nation;
you have made them to be a kingdom and priests serving our God,
and they will reign on earth.”  (5:9-10)

The lamb’s slaughter is the redemptive (soteriological) act in the history of all time.  The one who was dead, and is now alive, will bridge the gap between heaven and earth, between fallen humankind and God.  Note that the sovereignty that Jesus/messiah holds comes to him by his costly witness (willingness to die). 

Summary:  The lamb who was slaughtered is vindicated.  The violence of humankind is put in its place by the elevation of the victim. 

 

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The Opening of the Seals (6:1-17)

The worthy messiah opens the six of the seven seals and that provokes a response from the four horsemen of the apocalypse who bring conquest, war, famine, and death (note what was said about John’s view in the Class Introduction).  The opening of the seals is what reveals the prophecy itself, and sets into motion what is described in the scroll.  John is telling us that his people can expect conquest, war, famine, and death while awaiting final redemption.

The first four seals (see also Zech 1:8; 6:1-3 for inspiration):

The White Horse

The general’s horse.  The first is military:  The general was thought by John to be from the eastern Parthian Empire (in Iraq) that was to rise and conquer Rome – thus conquering Domitian, the emperor who was persecuting John’s people (see the Class Introduction).  This idea follows the pattern of Jewish thought about how nations were used by God to accomplish God’s purposes (e.g., Cyrus). 

The Red Horse

The war horse.  The huge sword will take peace away and bring war upon the earth.

The Black Horse

The famine horse.  Famine often follows warfare. 

The Pale Green Horse

This is the horse ridden by “Death.”  The greenish color is “chloros” in Greek, which is where “Chlorox” comes from.

The Fifth Seal:

John sees those people who have lost their lives for the Gospel (the saints).  They are under the altar.  This probably refers to the altar of the Temple in Jerusalem (now destroyed).  Chapman believes verse 5:9 influenced the practice of putting relics of saints into church altars. 

Note that the saints cry out “How long will it be before the end?”  (The answer is in 11:2, but it is an ambiguous one).

The Sixth Seal

The day of the wrath of the Lamb dawns with earthquakes, a blackened sun (eclipse ?), blood-red moon, and falling stars.  This is similar to the language of other prophets [e.g., Jer 10:22, Eze 32:7, 39:19, Joel 2:10; Isa 13:10, 16:20, 20:11, 34:4]. 

The blood red moon deserves special mention because it is first encountered in the NT in Luke and Matthew (Mt 24:29; Lk 21:25; Acts 2:20). 

The ‘falling stars’ refer to the churches (discussed in Class 1), that might lose their exalted positions in the hands of the Son of Man.  The least prosperous churches (Smyrna and Philadelphia) that are signaled out for commendation, and the most distinguished churches (Sardis and Laodicea) are dead or lukewarm (see Class 1).

Summary:  We, as readers, are caught up in the middle of the penultimate eschatological drama.  At this point in John’s book, all we can do is watch to see what comes next.  We are called, however, to wait and watch with faithful, steadfast witness. 

Psychologically, Revelation offers us a glimpse into the healing power that comes from acknowledging our the kind of self-righteousness and vindication that comes from rejoicing “when we see vengeance done; [we] will bathe [our] feet in the blood of the wicked” (Ps 58:10).  We sometimes feel such things, and Revelation gives us the permission to acknowledge those feelings rather than let them fester until they do real violent damage to our neighbors.  This is one of the risks of the Jungian hero archetype who destroys evil out of a sense of righteous indignation.

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The Fate of Those Sealed; The Great Multitude (Nations) (7:1-17)

The “seal” motif continues.  In the preceding work, the opening of the seals meant the beginning of the judgment of God and the wrath of the Lamb.  But in this section we read of hope for those sealed with God’s name and who have washed their robes in the blood of the Lamb.  (Note the contrast between being marked as God’s and wearing the mark of the beast – see 13:17, 14:9, and 14:1). 

The 144,000 Jews

Just before the final action, John holds up the action by placing an angel at the four corners of the earth to hold back the winds.  This allows time for the servants of God to be marked as God’s own.  Note that John hears that 144,000 will be marked from the 12 tribes (see 7:5-8).

Remember that the spiritual Israel refers to the church.  Chapman argues that “the symbolism of 144,000 is that every single one of God’s people who dies for his or her faith from every place on earth will be preserved and brought before God in heaven” (Chapman, 56). 

Other commentators see the 144,000 strictly referring to Jews, and the multitude (below) referring to non-Jews. 

The Multitude

John sees a great multitude, clothed in white who have washed their robes in the blood of the lamb, standing before the throne.  They are not sealed as were the 144,000.  They hold palm branches and sing of God’s salvation.  Note that they worship God alone – no mention is made of the Lamb.  Christopher Rowland writes about the multitude:

The multitude witnessing “against the beast, refusing to compromise, and espousing the way of the Lamb, inside or outside the church, mean inclusion in that great multitude.  ‘All Saints’ means that.  The great multitude includes many who never named the name of ‘Jesus’ but who lived lives that continued in the way of the Lamb:  ‘Not everyone who says to me, “Lord, Lord,” will enter the kingdom of heaven, but only the one who does the will of my Father in heaven’ (MT 7:21).” [1]

 

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The Seventh Seal (8:1-8:5)

When the seventh seal was opened, there was silence in heaven (no praises, no singing).  We are reminded to be still and know that God is God.  The use of silence in John’s narrative may be from 4 Ezra 7:30-31

Seven angels are given seven trumpets, but do not yet blow them.  An eighth angel adds incense to the prayers of the saints, making all the prayers pleasing to God. 

The angel takes fire from the heavenly altar and casts it toward the earth.  This begins a series of downward movements that will link heaven and earth in a chaotic and destructive way. 

Next week we shall see the beginning of the end …

The Art of Revelation

A beautiful collection of art by Pat Marvenko Smith inspired by the Book of Revelation can be found on line at http://www.revelationillustrated.com. Her work is for sale and can be ordered on line.

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[1] Christopher C. Rowland. "The Book of Revelation." The New Interpreter's Bible, Vol. XII. Leander E. Keck, et al. (Eds).  (Nashville, TN: Abingdon Press. 1998), 626.

 

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Updated 22 March 2003

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